From Monterrey With Love: Vlex Talks Placements, Go-To Plugins and Finding Your Sound (Interview)


From Monterrey with love. Our beloved postcard from Vlex, Alejandro’s alter ego, has just arrived – and it’s been received with love indeed. In this postcard, he shares how he got into music, what his favorite plugins are, what makes a good chain, what makes a sample great, and the hardest one of all: how to turn your music into a career. Not sure how he managed to fit all that into one postcard, but hey – the stamp is undeniably there. Enjoy this conversation with one of WAVS’ rising stars, a star on his own merit too, and check out his incredible catalog we host here on WAVS.


Q: First, a brief introduction: who’s Vlex, tell us a bit about yourself.

Q: You’ve only been on WAVS for about six months, but your packs instantly connected and performed really well. Why do you think your work resonated so quickly with producers here?

Q: You play instruments as well as produce. How does that musicianship shape the way you approach creating samples or full productions? Is there a specific instrument or sound you always find yourself reaching for, something that feels like a signature element of your work?

Q: What’s an underrated, sort of secret weapon production technique or approach you’ve learned that other producers might overlook?

Q: What does your processing chain look like? Or rather, what are some must-have tools or plugins you love using in most of your work? Are you into pedals/analog stuff, or do you lean more toward digital tools and plugins?

Q: You’ve already worked with some major names: Central Cee, DaBaby, Blxst, Vory, SoFaygo. Which collaboration has taught you the most so far, either musically or professionally?

Q: Now We’re Strangers with Central Cee is a big record from his latest album. Can you walk us through how that track came together and what your role was in shaping the sound?

Q: How did the placement with Isaiah Falls and SiR come together through WAVS, and what did it mean to you personally to see that record out in the world?

Q: What makes a sample truly great? How do you distinguish one from the thousands we come across every day?

Q: With placements already under your belt, where do you see yourself focusing over the next couple of years? More on building with artists directly, continuing to expand your sample work, or something else entirely?


sample vlex’s catalog here.