Oliver Zoéga: Release Often, Trust Yourself, Ignore the Rest
Oliver Zoéga grew up in Denmark surrounded by music — both parents deeply into it, the house always full of sound. By 22 he’d turned that upbringing into a recognizable style on WAVS: modern production with vintage warmth baked in, samples that feel contemporary but never cold.
What stands out about him isn’t just the output but the intentionality. He sits down knowing what he wants to make before he starts. No searching for direction mid-session. That kind of clarity at his age is rarer than it sounds.
We talked with Oliver about where his sound comes from, the tools he relies on, and his straightforward advice for producers still finding their footing.

Q: A very obvious thing with your samples is their clear direction—it sounds like you know exactly what you’re making before you start. Where do you draw your inspiration from?
Oliver Zoéga: “I usually sit down knowing exactly what I want to make. I like combining modern sounds with vintage warmth. My inspiration comes from everywhere—I just try to merge the contemporary with a nostalgic feel.”
Q: Do you have any go-to sounds or secret-weapon VSTs you can share?
Oliver Zoéga: “Producers often ask about my strings. Roland and Kontakt VSTs are definitely essential—but that’s all I’m revealing! Analog Lab bundles are also incredible. Don’t underestimate one-shots either; they can transform a sample completely.”

Q: What’s one tip you’d share that could instantly improve a producer’s workflow?
Oliver Zoéga: “Release music as often as possible, trust yourself, and don’t worry about others’ opinions.”
Q: What makes a sample pack truly stand out today?
Oliver Zoéga: “Passion combined with research. You’ve got to know what’s fresh but also create something you’re genuinely passionate about. Authenticity always resonates.”

DEUX LIBRARIES VOL.1 by Oliver Zoéga
Q: On March 28th, you’ve got two tracks on Nemzzz‘s upcoming album. How did these come about?
Oliver Zoéga: “Me and my partner Kendox worked closely with Zel, and we ended up with two tracks. I’m excited for people to hear them.”
‘1942’ by Nemzzz & PlaqueBoyMax uses the sample ‘Don Julio’ by Oliver
Q: Where do you see the sample industry heading in the next few years and what are your thoughts on AI’s role in music production?
Oliver Zoéga: “There will be more competition but also more opportunities. AI is fine for layering vocals or adding textures, but I’d never let it control my creative decisions. You need to stay in charge.”

MAUVAIS BUNDLE VOL.5 by Oliver Zoéga
Q: What’s your vision for the next 3-5 years?
Oliver Zoéga: “Right now, I’m heavily focused on Europe, but my ambitions are global. I’m aiming for placements with major artists like Drake. Every day is about grinding towards that goal.”
