{"id":840,"date":"2024-04-08T15:44:06","date_gmt":"2024-04-08T15:44:06","guid":{"rendered":"https:\/\/wavs.com\/blog\/?p=840"},"modified":"2026-03-11T22:14:17","modified_gmt":"2026-03-11T22:14:17","slug":"unkwn-a-masterclass-in-musical-versatility","status":"publish","type":"post","link":"https:\/\/wavs.com\/blog\/unkwn-a-masterclass-in-musical-versatility\/","title":{"rendered":"UNKWN: A Masterclass In Musical Versatility"},"content":{"rendered":"\n
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The year is 2014<\/em>. A younger Phillip Chang<\/strong><\/span><\/a> and producing partner Jon Ney<\/strong> enter a Beatport<\/a><\/span> remix competition and end up as winners. The love from the audience is immense, praising their creativity and production skills. They go on and win it again. “The last person to do that was Zedd<\/a><\/span>” one reviewer writes. They go on to score another Beatport Top 10, hit the iTunes Dance USA Top 10 and release with acclaimed labels including Spinnin’ Records<\/a><\/span>, Sony<\/a><\/span>, and Armada<\/a><\/span><\/strong>. Their major DJ support reads like an Ultra Main-Stage flyer: The Chainsmokers<\/a><\/span>, Hardwell<\/a><\/span>, Tiesto<\/a><\/span>, Major Lazer<\/a><\/span>, Dimitri Vegas<\/a><\/span>, Gareth Emery<\/a><\/span><\/strong>… Their staggering fanbase propelled them to an EDM.com #1, over 10 million<\/strong> cumulative plays on Soundcloud, over 115K<\/strong> followers on Facebook, and a merchandise launch which sold-out in a day. <\/h4>\n\n\n\n
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UNKWN and Jon Ney playing in front of a crowd as BL3R<\/span><\/a><\/em><\/p>\n\n\n\n

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The YouTube numbers on some of Chang & Ney<\/strong>‘s releases are staggering: 48 million, 9 million, 4.7 million<\/strong>… They’ve beat the one-hit-wonder allegations, if ever there were any, and continued displaying their skills both as producers as well as performers.<\/h4>\n\n\n\n
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BL3R, consisting of Phillip Chang a.k.a. UNKWN & Jon Ney<\/p>\n\n\n\n

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Those are the formative years of today’s Phillip Chang who now goes by UNKWN<\/strong><\/a><\/span> – a name the producer community loves and praises. From starting one of the most acclaimed sample libraries “UNKWN Sounds<\/strong><\/a><\/span>” to producing multiple records for Russ, Tyler, the Creator, The Game, Nipsey Hussle, Jeezy, G Herbo, Joyner Lucas, Dave East, French Montana, Zedd, The Chainsmokers, Diplo, Veigh, Bow Wow, Desiigner, Connor Price, Spotemgottem, DJ Drama<\/strong>… It’s a crazy extensive list. <\/h4>\n\n\n\n
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With 700.000+ monthly listeners on Spotify<\/strong><\/a><\/span>, a roster of 80+ producers on UNKWN Sounds<\/strong> and a consistent output of exclusive releases, UNKWN<\/strong> has proven time and time again that he has a plan and knows exactly how to execute it. <\/h4>\n\n\n\n
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Phillip Chang a.k.a. UNKWN<\/em>, the one we know nowadays<\/p>\n\n\n\n

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Our short interview takes us through the past, the present, the technical, the creative, highlighting the amazing work and consistency across various ventures from the man known as UNKWN, an instrumental persona in building the sample-making community of today.<\/h5>\n\n\n\n
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UNKWN Sounds<\/a><\/span> on WAVS<\/a> <\/a><\/span><\/em><\/p>\n\n\n\n

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1. Your career has been super interesting and diverse, you\u2019ve found success in practically everything you\u2019ve done so far which is super inspiring for every producer and musician pondering about longevity and diversifying their skill sets. How and why did you expand from DJ-ing and producing EDM to being a Hip-Hop powerhouse that started one of the most notable modern sample libraries – UNKWN Sounds?<\/h3>\n\n\n\n
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The transition from the EDM world to hip-hop was a tough decision I had to make. It\u2019s quite challenging to make a living solely from DJ-ing and releasing EDM records. While I’m not solely driven by money, the reality is that bills won’t wait for you to “make it.” Ultimately, I believe that surrounding myself with great producers, along with maintaining patience and consistency, has played a significant role in getting me to where I am today.<\/em><\/p>\n<\/blockquote>\n\n\n\n

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Framework<\/a><\/span>, a drum pack by UNKWN<\/em><\/p>\n\n\n\n

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2. With the output and influence you\u2019ve achieved, not to mention constantly trending on WAVS with every release, there must be something in your creative process and overall mindset that influences your consistency. Are there any notable tips or parts of your process and mindset that you can point out as super integral to what you\u2019ve done so far and continue doing? <\/h2>\n\n\n\n
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One of the most crucial pieces of advice I can offer is to stay on top of everything \u2014 from the latest trends and plugins to various tricks and instruments. Additionally, make sure to A\/B your mixes with the producer or record that inspired the sample you’re working on. This approach helps maintain a high level of quality and ensures your work aligns with industry standards.<\/em><\/p>\n<\/blockquote>\n\n\n\n

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‘Onyx’<\/a><\/span>, a sample pack by UNKWN<\/em><\/p>\n\n\n\n

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3. What inspired you to start UNKWN Music Library, and what were some of the initial challenges you faced in establishing it?<\/h2>\n\n\n\n
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UNKWN Music Library is a platform I’ve created for producers to showcase their artistic creations without facing the barriers that often gatekeep them. I vividly remember the struggles of entering the sample game back in 2020; finding outlets or even getting in touch with label managers to release packs was incredibly challenging. With UNKWN Music Library, we’ve opened the doors to entry (albeit with curation), providing a space where producers can freely share their work.<\/em><\/p>\n<\/blockquote>\n\n\n\n

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‘Jasper’,<\/a><\/span> a sample pack by UNKWN available on WAVS<\/em><\/p>\n\n\n\n

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4. How has UNKWN Music Library impacted the producer community and the broader music industry? Could you share any notable successes or milestones achieved with the library?<\/h2>\n\n\n\n
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Over the span of 4 years, our platform has grown to feature over 80 talented artists who consistently release packs monthly. Among these artists, many have achieved notable success with placements, established their own brands, and significantly elevated the quality and sonics of their samples.<\/em><\/p>\n<\/blockquote>\n\n\n\n

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The Vault<\/a><\/span>, a 4-pack series released by UNKWN<\/em><\/h5>\n\n\n\n
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5. What are some of your favorite plug-ins or pieces of equipment AND what is a plug-in (or pack, or tool) that you feel can up a producer\u2019s game instantly?<\/h2>\n\n\n\n
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Honestly, I don\u2019t have a favorite. If I had to choose it\u2019d probably be NI Kontakt as it provides so many different options of expansions from keys to vocals. I\u2019ll just list my go-to\u2019s below:
\u2022 NI Kontakt
\u2022<\/em> Serum
\u2022<\/em> Arturia
\u2022<\/em> Spectrasonics (Keyspace \/ Omnisphere \/ Trillian)
\u2022<\/em> Arturia FX Series
\u2022<\/em> WAVES
\u2022<\/em> REFX Nexus (not too frequent but its got some cool presets)
\u2022<\/em> One-Shots (too many but a few faves are from Eiby, Coop, Nami, The44thFloor, BeatButcha, etc..)
\u2022<\/em> VirHarmonic<\/em><\/p>\n<\/blockquote>\n\n\n\n

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Visual preview of ‘Jacinth’ on WAVS<\/a><\/span>, a gospel sample pack by UNKWN<\/p>\n\n\n\n

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6. What\u2019s UNKWN\u2019s go-to plug-in or chain for processing drums and crafting a great beat? You\u2019re well known for having both your drum game and sample game on point so it\u2019d be good if you could share some tips that may be of value to producers focused on drums and samples.<\/h2>\n\n\n\n
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My go-to plugins for music production are constantly evolving, but here are some of my favorites:
\u2022<\/em> Beats: Any clipper (FL Studio Softclipper \/ KNOCK by Decap)
\u2022<\/em> Compressor: Fab Filter
\u2022<\/em> EQ: Fab Filter
\u2022<\/em> General: WAVES
\u2022<\/em> Arturia FX
\u2022<\/em> Soothe
\u2022<\/em> The God Particle (Frank Dukes)
\u2022<\/em> RC-20
\u2022<\/em> S1 Imager<\/em><\/p>\n\n\n\n

While there are many more plugins I use, these are almost always present in any beat or sample I produce. There are no strict rules regarding how extensive your plugin chain should be. Experimentation is key; A\/B your mixes to find what sounds best.<\/em><\/p>\n<\/blockquote>\n\n\n\n

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‘Morganite’<\/a>, a super soulful and vintage sample pack by UNKWN, featuring Laura Rain and the Caesars<\/p>\n\n\n\n

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7. And finally, what\u2019s next in store for yourself and UNKWN Music Library?<\/h2>\n\n\n\n
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My next focus is on getting the producers releasing under the label placements. I aim to begin A&Ring samples to my network with the ultimate goal of connecting them with top-tier producers while ensuring they have everything sorted out correctly, from publishing to split agreements and beyond.<\/em><\/p>\n<\/blockquote>\n\n\n\n

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In the ever-evolving landscape of music production, UNKWN continues to inspire and innovate, shaping the industry with his creativity, expertise, and unwavering commitment to supporting emerging talent. As he paves the way for a new generation of producers through UNKWN Music Library, his legacy as a visionary and trailblazer remains unparalleled.<\/h5>\n\n\n\n
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sample unkwn’s catalog here<\/a><\/span>.<\/h2>\n\n\n\n
<\/div>\n","protected":false},"excerpt":{"rendered":"

The year is 2014. A younger Phillip Chang and producing partner Jon Ney enter a Beatport remix competition and end up as winners. The love from the audience is immense, praising their creativity and production skills. They go on and win it again. “The last person to do that was Zedd” one reviewer writes. 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